I Am Mountain

I Am Mountain by Gungor – taking a whole different track today. Gungor is from the Adult Christian Contemporary format, and is still producing albums. I purchased this album on vinyl at a concert in the fall, where I actually got to interview Lisa Gungor face to face, which was pretty cool.

The interview turned into several articles, which you can read here.

The album I have is actually a 2-record set:

Side A

  1. I Am Mountain
  2. Beat of Her Heart
  3. Long Way Off

Side B

  1. Wandering
  2. Let It Go
  3. Wayward and Torn
  4. God and Country

Side C

  1. Hither and Yon
  2. Yesternite
  3. The Best Part

Side D

  1. Finally
  2. Upside Down

This album is totally worth the money, and for once I can tell you where to get a copy, and other vinyls by Gungor (including LIVE albums). Follow the white rabbit.

I am not usually a fan of ACC songs, but I do love this album. The electronic beats mixed with great guitar an vocals had me from the first time I heard the title track. My three favorites are I Am Mountain, Beat of Her Heart, and God and Country. The first has a sweet music video (feat. above). The second has Latin-esque, uneasy guitar that just builds tension and longing so beautifully. The final is much more topical, you could even say political.

Altogether, this album was a super gutsy decision for a band with such a conservative audience. But, when I spoke to Lisa Gungor, I go the feeling that the band members are hippies at heart. I totally respect that, and I respect how it comes out in this album.

Gungor Article Series

The following writing samples are a series of web and print articles I wrote for my campus newspaper based on research and two separate interviews with Michael and Lisa Gungor, one of which I did face-to-face, one which was done by someone else.

IMG_91601-800x1024Michael Gungor on the past year’s spiritual journey

October 10, 2014 – Featured – Tagged: mariah powell – no comments

Mariah Powell – Web Editor; Torre Massie – Photographer

In an exclusive interview, MVNU professor Joe Rinehart spoke to Christian artist Michael Gungor about his musical influences and his spiritual journey over the past year.

Michael Gungor first felt his call to do music during college.

“It was scary,” Gungor said, “but it is who I was made to be.” He met his wife, Lisa, in college, and began to court her by writing her love songs. Lisa’s entry into the band was a natural thing. Gungor said that since he and Lisa were married and living together, they shared music ideas and songs, and eventually began writing together. He is thankful that they are both in the band, since they get to be together on tour.

The latest tour is based on their newest album, “I Am Mountain.” Gungor shared that the inspiration for the album came from an unlikely source: Japanese food. While eating a multi-course authentic Japanese meal Michael realized the art and detail that went into the preparation.

This “semi-religious experience,” as he called it, lent itself to one of the major themes in “I Am Mountain.”

The album focuses on the transcendent nature of existence and finding wonder and gratitude within the wandering and crazy spinning of everyday life.

“Sometimes it takes sushi to remind you how amazing the daily, mundane things of life can be…it’s all around us,” Gungor said. “I think it just takes some purposeful eyes to see it sometimes.”

Even bigger than their new album release was the entry of their daughter into the world on May 13. Her name is Lucette, which Gungor emphasized means “light”.

Lisa Gungor was induced into early labor when doctors noticed that Lucette was having heart problems. After she was born, doctors discovered that Lucette was born with Down syndrome, along with fairly serious heart defects.

Lucette went into surgery when she was only a few days old, and is scheduled for more surgery on Oct. 16.

Gungor shared that the discovery was very hard on he and Lisa. The couple was already nervous about the birth, and it was devastating to have all their plans and expectations “turned on their head.”

“In the middle of that,” he said, “we looked at this beautiful baby girl, and something in us broke.”

The couple was surrounded by supportive loved ones after the birth, and Gungor shared that while they felt pain, they were also filled with an amazing love.

When the couple was first told that Lucette needed surgery, they sat down together and Michael read from Psalm 139. Verses 13 and 14 say, “You created my inmost being; you knit me together in my mother’s womb. I praise you because I am fearfully and wonderfully made.”

The Gungors cried over the bible passage, he shared, with the realization that “Life is beautiful, a gift, it’s perfect. She [Lucette] is perfect.”

Gungor says that it has been a learning, growing and painful experience, and that he and Lisa are thankful for their daughter Lucette.

Gungor’s next album—not yet released—has been heavily influenced by this experience, and the songs center around the theme of “how pain and joy and love all get tangled up together.”

Lisa Gungor explains musical change

October 10, 2014 – Featured – Tagged: mariah powell – no comments

Mariah Powell – Web Editor; Torre Massie – Photographer

Since Michael Gungor’s February blogpost “What Do We Believe?” and the release of Gungor’s album “I Am Mountain,” many Christians haven’t known quite what to do with the band.

In an exclusive interview during SonFest, Lisa Gungor explained some of the band’s style changes and intentions, as well as how the controversy has affected their interaction with fans.

Previous albums contained a lot of “church” music, Lisa Gungor said, but she and her husband Michael also performed several songs that held a powerful meaning for them but did not fit with that style. The band “did not want to say no” to their other songs just because the styles did not mesh, she explained.

Gungor’s music is always evolving and shifting, and the band “never wanted a line between secular and sacred,” Lisa Gungor said.

Many Christian music fans struggle to see the Christian message in “I Am Mountain.” Lisa Gungor explained the meanings behind a few of the songs.

“Wandering,” she said, came out of the pressure of feeling that she had to “arrive” and “have the answers” at some point in her life. The song is her response to realizing that wasn’t going to happen.

The line “I am holding on to you” held a dual meaning for Lisa of holding onto God and her husband for strength.

The song “Beat of Her Heart,” perhaps one of the most controversial on the album, is a retelling of the Greek myth Orpheus in the Underworld. Lisa Gungor said it deserved to be included because it is an intriguing tragic love story that everyone can relate to.

Lisa Gungor said their goal is to be open and honest about their beliefs, not to make other Christians follow their theology.

“We don’t look down upon anyone with a different view,” she said.

She also said that their label as a “Christian band” played a definite role in the controversy, because people have certain expectations they don’t necessarily meet.

“If we were a ‘secular’ band,” Gungor pointed out, “people would have been happy we talked about God where we did, instead of being upset we didn’t talk about him enough.”

Gungor controversy causes little concern at SonFest

October 10, 2014 – Featured – Tagged: mariah powell – no comments

Mariah Powell – Web Editor; Torre Massie – Photographer

Controversy over some of Gungor’s theological views raised concern for some faithful SonFest-goers this year, but overall feedback from SonFest was unaffected by the band’s beliefs.

Gungor fans campus-wide have been asking for the band to headline at Sonfest for a few years now, and finally the popular group was slated to headline the stage in the Grove.

But recent changes in the band’s theology and music style distressed some SonFest fans.

Angie Mannon of Huntington, West Virginia, commented with her concerns on MVNU’s SonFest Facebook page, “MVNU headlining a band who openly admits they don’t take the Bible literally? I’m surprised and saddened…”

MVNU’s James Smith, one of the events organizers, said, “We did receive a handful of emails or phone calls ahead of time expressing concerns, but we received more positive feedback about Gungor than negative.”

Youth leaders interviewed generally said they did not object to Gungor’s music.

MVNU alum Faith Taylor, a youth leader at First Church of the Nazarene in Mount Vernon, said she encouraged the teens she works with to attend SonFest.

“It’s an uplifting event and the atmosphere is great,” she said.

Though the overall feedback has been positive, MVNU did issue a statement to address possible controversy about the lineup for SonFest.

“SonFest is not intended as an official expression of the theological convictions of the Church of the Nazarene,” it read.

“The basis for our fellowship is not located in total doctrinal agreement, but our common experience in Jesus Christ.”

That Scottish Play…

No, not the unlucky one by Shakespeare. This one is Brigadoon: Original Television Soundtrack. I haven’t done a musical lately, so here it goes:

Side One

  1. Overture – Orchestra
  2. Brigadoon – Chorus
  3. Almost Like Being In Love – Robert Goulet (Tommy) Sally Ann Howes (Fiona)
  4. McConnachy Square – Marlyn Mason (Meg) Chorus
  5. From This Day On – Robert Goulet, Sally Ann Howes
  6. Come to Me, Bend to Me – Tommy Carlisle (Charlie)

Side Two

  1. Heather on the Hill – Robert Goulet, Sally Ann Howes
  2. Waiting for my Dearie – Sally Ann Howes
  3. I’ll Go Home With Bonnie Jean – Tommy Carlisle, Chorus
  4. There But For You Go I – Robert Goulet
  5. Brigadoon Reprise – Chorus

If you want to combine great orchestra with a huge, old-Broadway style chorus and soloists (and you aren’t in a Rodgers & Hammerstein mood) this album is a great way to go. As a soprano who struggles to belt in Neo-Broadway musicals, I have a strong appreciation for this show. Soprano soloists just don’t get the chance to show off how high their range goes anymore. Plus, the rich, round tones of the tenors and basses is one you just don’t get in post-rock & roll era musicals.

This musical also gives a pretty good sampling of particular flavor of humor you will only get from the Celtic region. While I’m not sure how accurately Brigadoon portrays Scottish culture, I do love the rich (if hurried) romance.

Personally, I have a hard time choosing a favorite track on this album. Honestly, I’m a little sad it leaves out Love of My LIfe, one of the funniest songs in the show. I do love listening to Come to Me, Bend to Me, especially in the moment when Charlie trails off the line “Come to me, bend to me, kiss…” and the orchestra takes over. Of course, even if you have never seen the show, you know that the lovers should kiss there (or at least have an intimate moment).

I also adore Robert Goulet romancing me with Heather on the Hill…I mention my adoration for his voice in an older post here.

Bob Dylan

Bob Dylan — or as my dad says, “Bobby Dye-lan” — The little white wonder Volume 1 – my copy says it was licensed in 1973, but I feel like these songs were recorded a while before that. the sound quality of the recordings are definitely pre-1970s. Dylan clears his throat several times on a few tracks, which suggests they were done in one take. I hypothesize that Dylan didn’t have the money for retakes when these tracks were recorded, so they might have been done earlier in his career or at a low point.

In any case, here are the tracks:

Side A

  1. Who You Really Are
  2. Candy Man
  3. The Death of Emmett Till
  4. California
  5. Only a Hobo

Side B

  1. Baby Please Don’t Go
  2. Man of Constant Sorrow
  3. I Ain’t Got No Home
  4. Fairwell Angelina
  5. Poor Lazarus

Dylan is an alarming, acoustic, acquired taste. The mixing on these tracks is muddy, but that is common Dylan-style recording. This music is far from easy listening; if you can decipher (or look up) the lyrics, then their is great meaning there. It is not quite folksy, not quite country, not quite rock. When I listen to Bob Dylan, I really sit back and listen; this is not multi-tasking music. I think that the acoustic sound and muddy mixing lends to that; you have to listen, really listen to understand it. Casual listeners will probably not be Dylan fans, and that’s ok. But, if you want music that seriously asks a lot of you, and you run across this record, pick it up!

Liebster Award Nomination

Many thanks to chowkimwan for nominating me for the Liebster Award!  (check out his blog in the link) As a relatively new blogger, I didn’t expect many people outside of my professor and friends to read this blog. Glad you all appreciate my record reviews!

Here are the 10 questions he asked me to answer:

Who is your favorite Disney character of all time?

This is a toughie! I’m actually more of a non-Disney-princess fan. However, I always LOVED Wilbur the albatross in The Rescuers. It is probably a tie between him and Miss Bianca; seriously, that mouse was so classy and sophisticated!

Which composer in the modern era do you look up to the most?

Without question, Andrew Lloyd Weber. That man is a total genius. Watch the movie for Phantom of the Opera, then watch Love Never Dies. If you pay attention, there is a minor musical theme you hear once or twice in POTO that turns into “Beneath a Moonless Sky” in Love Never Dies. Talk about serious continuity!!!!

Which musical that you have seen is the most spectacular?

The new production of POTO is AWESOME (see my post about it here)!!!!! However, I was seriously impressed when I saw The Addams Family Musical in Cleveland a few years ago. Of course, totally different genre, but they were both really fantastic productions all around.

What is your favorite show tune?

I’m sorry, is this even a thing? This probably changes every week for me. However, I recently performed “Everything’s Coming Up Roses” from Gypsy at my university, and I really enjoyed getting into the character of that song, so I will go with that for now. Ask me in a few days, might be different.

Which is the most horrendous song you have heard in your life?

Aside from such pop music crimes such as “Ice Ice Baby” (which has the same beat as “Under Pressure as performed by Queen and David Bowie) and “Maria” by Justin Bieber, which is pretty much the same idea as “Billie Jean” which Michael Jackson already wrote many years ago….yeah, aside from those two HORRENDOUS crimes of music, I would have to say “76 Trombones” from The Music Man. Not that this is a bad song. However, I played Eulalie M. Shinn in my early years of theater, and had that song stuck in my head EVERY DAY FOR A MONTH. I do not exaggerate.

Which song represents you the most?

“She’s Always A Woman” by Billy Joel, because the truth is that as a woman (and as anything, really) I am a paradox of beautiful imperfection.

Who do you model yourself after? (It can be someone in real life or a fictional character)

I have had a lot of role models in my life, both living and fictional. However, I take a lot from strong, stubborn, loving, imaginative Anne from Anne of Green Gables and all of the subsequent books in that series.

Where in the world do you want to visit the most?

Ireland. I am of Irish descent, and there is something hauntingly beautiful about that place that I want to experience first-hand.

If you drop by Florida to visit one theme park only, will you visit Walt Disney World or Universal Studios?

Mmmmm….neither. I really have no interest in Florida or theme parks.

What sort of career do you aspire to have?

I want to be an overseas correspondent writing for an online newspaper from high conflict/war zones.

The nomination requires me to nominate 10 other bloggers and come up with 10 questions. Unfortunately, as a busy college student I do not read 10 other blogs, so I apologize. I’m sure this disqualifies me from the nomination, but it’s been fun answering the questions anyway!

‘Past The Point Of No Return’

Here is a post by cesarmp90, for those of you who liked my post on Phantom.

Teatralment

‘Past the point of no return
The final threshold
The bridge is crossed
So stand and watch it burn
We’ve passed the point of no return.’

Yes, my friends, we got the point of no return. We got in the end of March, and there’s no way to come back. Is the end of the month dedicated to ‘The Phantom of the Opera’, but a new one will come. The Phantom can be back someday, who knows?

The last post of this show is dedicated to ‘Past The Point Of No Return’, of course. Who doesn’t like it? It’s the game of seduction by Erik. The Phantom knows so well how to play with Christine, and she let him play. I’m not sure if she is conscious of this game and she is drifting. Or maybe she is manipulated by Erik without knowing. I…

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A Spoonful of Sugar…

The Very Best of The Lovin’ Spoonful – from Kama Sutra Buddah Records. If a lazy, adolescent, summer Saturday afternoon in the 1960s had a sound track, this is what it would look like:

Side One

  1. Younger Girl
  2. Didn’t Want to Have to Do it
  3. Daydream
  4. You Didn’t Have to be So Nice
  5. Did You Ever Have to Make Up Your Mind?
  6. Do You Believe in Magic?

Side Two

  1. Summer in the City
  2. Rain on the Roof
  3. Six O’Clock
  4. Darling be Home Soon
  5. Till I Run With You
  6. Never Going Back

Summer in the City is absolutely my favorite track on this album, no question. Maybe because it stands out as the least mellow song on the album; you can actually dig your teeth into it a little bit. Not that I mind mellow, but this album is consistently light and folksy…the downside is that the songs sort of blend together and lull me into a half-listening state.

Of course, Summer in the City isn’t the only good track. I love daydreaming to Daydream, and who doesn’t enjoy the overplayed Do You Believe in Magic? I will also give a nod to Six O’Clock for dipping its toes into a  slightly bluesy, southern-rock sound.

This album definitely holds a sentimental, escapist, relaxing feel for me. It shows the lighter, younger, naive side of life. It may not be the deepest, most analytic music, but it has enough depth and real emotion to ease back into your porch swing and nod your head along with while you reminisce about eating a Popsicle and running around as a kid.

Welcome to the 60s!

“The Best of ’66 (volume 2)” — Though I don’t necessarily agree with this album’s title, it definitely has some great swing/jazz tracks. And, as you can see, plenty of songs from movies and musicals.

Side 1:

  1. A Taste of Honey – Tony Bennett
  2. King of the Road – Ray Coniff and The Singers
  3. Yesterday – Percy Faith
  4. What Did I Have That I Don’t Have – (from “On A Clear Day You Can See Forever”) Eydie Gorme
  5. Try to Remember – (from “The Fantasitcks”) Robert Goulet

Side 2:

  1. Lara’s Theme – (from “Doctor Zhivago”) Andre Kostelanetz
  2. What’s New Pussycat? – (from “What’s New Pussycat?”) Steve Lawrence
  3. The Shadow of Your Smile – (love theme from “The Sandpiper”) Barbra Streisand
  4. Sunrise, Sunset – (from “Fiddler on the Roof”) Jerry Vale
  5. Michelle – Andy Williams

Overall, this album has an easy-listening, night club, jazzy feel. I love most of the songs; my top three are probably Try to Remember, the instrumental violin version of Yesterday, and King of the Road. Robert Goulet’s voice is absolutely perfect for Try to Remember, and I would seriously walk down the aisle to this track if it weren’t for the applause halfway through the first line (alas, the downside to live recordings).The violin Yesterday captures the emotion of the song better than any other version I have heard. King of the Road is nothing spectacular emotionally or technically, but it is so fun to sing along to.

On the flip side (literally and figuratively), What’s New Pussycat? should stop after the first chorus. Seriously, this may be the most annoying song ever written, or at least written in the 60’s. No offense to Steve Lawrence, but I think he may have tried to make the song more annoying on purpose. The blaring brass behind him certainly doesn’t help.

Overall, great album. This is one I definitely play over and over again. If you ever get your hands on a copy, feel free to skip the needle past track 2 on side 2. There is no need to go through that torture. If you don’t skip it, Any Williams’ Michelle will make up for it.

Why I LOVE the 1920s!

Featured imageAlthough this album wasn’t actually recorded in the 20s, it’s still one of my favorites: “Hits of the ’20s” (simply named) is copyrighted 1957 by Radio Corporation of America.

Here are the tracks:

Side One:

  1. I’ll Get By – Larry Green and his Orch.
  2. Star Dust – NBC’s Chamber Music Society of Lower Basin Street. Vocal by Dinah Shore with Paul Laval and his Woodwindy Ten
  3. Jealous – Deep River Boys
  4. Toot Toot Tootsie Goodbye – Jerry Jerome and his Country Club Orch.
  5. Always – Sammy Kay and his Orch. Vocal by Tony Alamo
  6. Yes Sir, That’s My Baby – D’Artega and his Orch.

Side Two:

  1. Tea for Two – Larry Green and his Orch.
  2. Ain’t Misbehavin’ – Gene Krupa and his Orch.
  3. I Can’t Give You Anything But Love – Buddy Morrow and his Orch. Vocal by Tommy Mercer and the Band
  4. Button Up Your Ovdercoat – Mindy Carson with Orch. conducted by Andrew Ackers
  5. I’ll See You Again – Jeanette MacDonald, Soprano, with Orch., Robert Armbruster conductor
  6. Avalon – Vaughn Monroe and his Orch. Vocal by Vaugh Monroe

The thing I love about this album is the variety. With most records, you either get all instrumental or all with vocals. This album is unique in that some songs have vocals, some don’t, and Always even has a little narration. Vocally, there is a great mix of choral and solo, male and female. Of course, the orchestras are fabulous as well.

The smooth, jazz and swing big band sound is captured perfectly on this album. The differences between the 1920’s and the 1820’s (musically), in my opinion, can be counted on two fingers: brass and a good drummer. Basically, this music is fun and relaxing, whether you actually know how to dance to swing music, you listen to it over dinner, or you just lean back and drink it in, it is designed to put a smile on your face.

#3: The Phantom of the Opera @ Hong Kong AsiaWorld Expo Arena

Good review of an older version of Phantom, if anyone is interested!

caress . possess . music

I did say that Phantom will be frequent in this blog. And yeah I’m posting stuff which I should have posted a while ago, before 2015 starts. Well, because I have only started this site today.

Went back to Hong Kong a week ago, from 21 December 2014 to 27 December 2014. I took the opportunity to catch Andrew Lloyd Webber’s The Phantom of the Opera staged at the AsiaWorld Expo, WHICH IS LOCATED AT A HIGHLY INCONVENIENT SPOT. It is at Chek Lap Kok, where the airport is. It is quite near the airport in fact.

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